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Sound Camera – Nikon WAV: A New Way to Experience Sound and Vision



Cameras sound library features sounds of 20 different cameras. Everything was recorded with Sound Devices 702, Rode NTG3 and Oktava MK012. In this 6 minutes long sound library you will find sounds of different camera shutters, pulling film advance levers, handling noises, self timers, AF mechanisms, pushing buttons and rotating dials. This sound library features camera models from companies like Kodak, Polaroid, Nikon, Olympus, Yashica, Minolta, Fujica, Halina or Pentax.


The Rode Wireless Go II is a compact wireless microphone system that supports two transmitters, internal recording and connections to cameras, phones and computers. Announced in February 2021, it arrives roughly two years after the original Wireless Go and builds-upon its concept of bringing easy wireless audio to mainstream creators.




Sound Camera – Nikon WAV



Bring definition and authenticity to your sound design with Sonomar Collection: Cameras. This expansive camera sound effects library includes pristine mechanical sounds from 250 vintage and modern cameras, including a rare 1901 model. Find shutter, button, lever, lens, and flash noises from a range of Minolta, Olympus, Canon, and Nikon cameras, both film and digital.


These comprehensive, high quality photography sound effects, including mechanical actions like flashes, cranks, button noises, zooms, and lever squeaks, are pristinely recorded and well-isolated for easy editing and searching. Beyond lending realism to any scene with cameras, these sounds are also perfect for creative sound design. Unique sonic properties of the different cameras reflect the changes in technology over the 20th century, and the high resolution recordings are perfect for pitching and processing to add texture and character to any project.


Each sound file is embedded with rich metadata to help you find the exact sound effect you need with fast, pinpoint search. Advanced metadata fields include translated French descriptions and additional info to ensure compatibility across any database search platform such as SoundQ, Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.


The dynamic range that can be represented by a 32-bit float file is 1528 dB. Since the greatest difference in sound pressure on Earth can be about 210 dB, 1528 dB is far beyond what will ever be required to represent acoustical sound amplitude in a computer file. Compared to a 24-bit WAV file, a 32-bit float WAV file has 770 dB more headroom.


I found from my testing that when I was sending an output from the X8 to a mirrorless hybrid, in this case, the Panasonic S1H, I had to set the output level to -27db and the input level on the camera to -18db.


The Portacapture X8 has built-in level modes and signal processing. You can engage automatic level control to increase or decrease the recording volume when the input sound is too quiet or loud, and switch on the compressor and limiter to compress the signal before it reaches the point of distortion.


The recorder uses an internal tone generator to synchronize files that have been recorded on the Portacapture X8 and your camera. When the Portacapture X8 is connected to a camera, you can use the slate tone function to send an audible tone to the camera and the Portacapture X8. These tones can then be used as guides when synchronizing your files in post.


Above you can hear a small example of what the Portacpture X8 sounds like when using the Sanken CS-1e. With any audio recording device, it is going to come down to the quality of the microphone you are using.


Easily and efficiently read metadata from images, video and audio files.MetadataExtractor reads Exif, IPTC, XMP, ICC, Photoshop, WebP, PNG, BMP, GIF, ICO, PCX metadata from JPEG, TIFF WebP, PSD, PNG, BMP, GIF, ICO, PCX and camera RAW files.MOV and related QuickTime video formats such as MP4, M4V, 3G2, 3GP are supported, as are MP3 and WAV audio files.Camera manufacturer specific support exists for Agfa, Canon, Casio, DJI, Epson, Fujifilm, Kodak, Kyocera, Leica, Minolta, Nikon, Olympus, Panasonic, Pentax, Reconyx, Sanyo, Sigma/Foveon and Sony models.


Input/Output Options A standard 3.5mm mic/line input lets you connect external microphones and sound sources such as MP3 players, while a 3.5mm headphone/line output lets you connect headphones or small external speakers


The T3 has a 12.2MP CMOS (APS-C) sensor, providing you with high quality JPEG and RAW images. The camera captures video at 1280 x 720p/30p/25p video. (editors note: If video is a priority for your project, we recommend the Canon T5i camera instead)


The Nikon D3100 is an excellent photography camera for new users, and those already familiar with the Nikon interface. The Nikon D80 digital SLR features a high-resolution 10.2 megapixel CMOS DX sensor. Easily capture the action other cameras miss with a fast start up time, split-second shutter release, 3 frames per second shooting and 11-point autofocus.


The Rebel T5i DSLR Camera is an APS-C format digital SLR camera with an 18 Megapixel sensor. A 3.0" Vari-angle Touchscreen LCD screen is great for composing shots using its tilt and swivel capability. The touchscreen is also touch sensitive for menu navication and autofocus. Full HD 1080p at 30 fps and 24 fps is supported. 60 fps is possible when shooting at 720p HD. A built-in stereo microphone with manual audio level adjustment is provided for quality audio recording with your videos.


The Canon Vixia HF200 is the perfect choice when you need to record a presentation or class. This camera is beginner friendly too, and SMS is glad to help you with any questions you may have. This camcorder records in full HD, and it is the ideal choice for recordings longer than 20 minutes. This camera records all of your footage to an easy-to-access SD card.


The GoPro HERO3 camcorder captures professional-quality video up to 1080 pixels and 5MP photos at 3 frames per second. The GoPro Hero3 is an affordable action camera that boasts borderline professional video quality in a compact package. It can record in a wide range of video frame rates and resolutions that range from 720P at 120 FPS to 4K at 15 FPS. The time-lapse mode lets you capture a series of photos at 0.5 to 60-second intervals.This wearable, mountable camera is extremely versatile.


Is this thing on? Bad sound quality can completely ruin your video. And DSLR camera microphones are notoriously bad. The answer to this problem is an external microphone. External mics enable you to move your microphone near the sound source for high-quality audio.


There are 16 channels to help avoid interference. Both transmitter and receiver have backlit LCD screens. Connect via TRS to your DSLR camera or XLR for high-quality audio devices. The system allows you to connect lav mics to an XLR transmitter.


The sound is just as good as the build quality. One reviewer called it the best on-camera shotgun microphone available. In a side-by-side test with the Sennheiser MKE600, I could not tell the difference. And this costs about half the price of the Sennheiser.


The sound quality is clean and clear, with decent low-end and good clarity in the higher frequencies needed for speech. With its flexibility for use as a computer mic, mounts for boom poles, and XLR capability, this is a great all-rounder.


The Sennheiser MKE 600 is a long shotgun microphone. Its hallmarks are an excellent build quality and a lot of versatility. Powered by a single AA battery when connected to a camera or phone, it can also draw phantom power via XLR.


The Boya shotgun mic takes its power from the camera and comes with both cables you need for connecting to a phone or camera. It also has a deadcat windshield and a handy standard tripod thread on the bottom of the hot shoe Rycote Lyre shock mount.


In sound comparisons, there is little to choose between the Boya BY-MM1 and the Rode VideoMic. The spec sheet says the Rode has a better frequency response range. This is true in tests, but it is almost undetectable in real-life situations.


The Saramonic impresses with the quality of its sound. The kit is comprehensive and packed in a sturdy case. You get all the cables you need for connecting to cameras or XLR sockets, as well as foam windshields and a deadcat.


It was recorded with two excellent Sennheiser microphones at the same time: MKH8040 and MKH8060. MKH8060 sounds a bit brighter and was recorded from 2ft away. MKH8040 sounds a bit more beefier and was recorded from 1ft away. 2ff7e9595c


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